Bibliographie zu Ovids Heroides

Ovid Heroides

Ausgaben/Kommentare/Übersetzungen

Barchiesi, Alessandro (1992): P. Ovidii Nasonis Heroidum Epistula 1-3, (Florenz).
Battistella, Chiara (2010): P. Ovidii Nasonis "Heroidum Epistula" 10: Ariadne Theseo. Introduzione, testo e commento, (Berlin/New York).
Bessone, Federica (1997): P. Ovidii Nasonis Heroidum Epistula XII. Medea Iasoni (Florenz).
Casali, Sergio (1995): P. Ovidii Nasonis Heroidum Epistula IX. Deianira Herculi (Florenz).
Dörrie, Heinrich (1971): P. Ovidii Nasonis. Epistulae Heroidum (= Band 6 Texte und Kommentare, herausgegeben von Olof Gigon/Felix Heinimann/Otto Luschnat), (Berlin/New York).
Gerlach Wolfgang (1952): Ovid. Briefe der Leidenschaft. Heroides (München).
Häuptli, Bruno W. (2001): Liebesbriefe. Heroides – Epistulae, lateinisch deutsch (Düsseldorf / Zürich).
Heinze, Theodor (2016): Ovid. Briefe von Heroinen. Lateinisch und deutsch. Eingeleitet, übersetzt und kommentiert, (Darmstadt).
Isbell, H. (1990): Ovid. Heroides (London).
Kenney, Edward J. (1996): Ovid Heroides XVI-XXI (Cambridge).
Knox, Peter E. (1995): Ovid. Heroides. Select Epistles (Cambridge).
von Marnitz, Viktor (1958): Die erotischen Dichtungen (Stuttgart).
Michalopoulos, Andreas N. (2006): Ovid, Heroides 16 and 17. Introduction, Text and Commentary (Cambridge).
Murgatroyd, Paul/Reeves, Bridget/Parker, Sarah (2017): Ovid's Heroides. A new translation and critical essays (London/New York).
Palmer, Paul (2005): Heroides/1. Introduction and text, with Greek translation by Maximus Planudes. New introduction and bibliography by Duncan F. Kennedy, (Exeter).
- (2005): Heroides/2. Commentary. New introduction and bibliography by Duncan F. Kennedy, (Exeter).
Pestelli, Angela (2007): P. Ovidii Nasonis Heroidum epistula VIII. Hermione Oresti, (Firenze).
Piazzi, Lisa (2007): P. Ovidii Nasonis Heroidum epistula VII: Dido Aeneae, (Firenze).
Pollard, Clare (2013): Ovid’s Heroines, (Tarset).
Reeson, James (2001): Ovid "Heroides" 11, 13 and 14. A commentary (Leiden et al.).
Roggia, Alessandra (2011): P. Ovidii Nasonis Heroidum Epistula XIII (Florenz).
Rosati, Gianpiero (1996): P. Ovidii Nasonis Heroidum Epistulae XVIII–XIX. Leander Heroni, Hero Leandro (Florenz).
Showerman, Grant (1977): Ovid. Heroides, Amores, With an English Translation, 2nd edition rev. by George P. Goold (Cambridge).

Abhandlungen

Adamietz, Joachim (1984): Zu Ovids Dido-Brief, in WJA 10, 121-134.
von Albrecht, Michael (2013): Große römische Autoren. Texte und Themen. Bd. 3. Von Lukrez und Catull zu Ovid, Heidelberg, 233-256.
Allen, Archibald (1995): Ovid's conubialis (Her. 6,41), in Hermes 123, 372-380.
Allen, Alena (2007): Briseis in Homer, Ovid, and Troy, in Martin M. Winkler (ed.): Troy. From Homer's Ilias to Hollywood epic (Oxford), 148-162.
Anderson, William S. (1973): “The Heroides”, in Binns, James W. (ed.): Ovid (London), 49-83.
Arena, Antonella (1995): Ovidio e l'ideologia augustea. I motivi delle Heroides ed il loro significato, in Latomus 54, 822-841.
Ariemma, Enrico M. (1993): Duritia robora vincis. Nota ad Ovid. her. 7,51s, in Vichiana 4, 114-125.
Baca, Albert R. (1971): The Themes of Querela and Lacrimae in Ovid' Heroides, in Emerita 39, 195-201
Barchiesi, Alessandro (1993): “Future Reflexive: Two Modes of Allusion and Ovid’s Heroides”, Harvard Studies in Classical Philology 95, 333–65.
Battistella, Chiara (2007): “Inseguendo Didone”, in Philologus 151, 184-189.
- (2007): “Le 'costellazioni' di Arianna (Ov. Her. 10, 95 e Apoll. Rhod. 3, 997-1004)”, in MD 57, 217-222.
Beck, Marcus (1996): Die Epistulae Heroidum XVIII und XIX des Corpus Ovidianum. Echtheitskritische Untersuchungen (Paderborn).
Bessone, Federica (1995): “Medea's response to Catullus. Ovid, Heroides 12.23-24 and Catullus 766.1-6”, in CQ 45, 575-578.
- (1997): “Sapere, non sapere, dire, non dire. Ignoranza, reticenza ed ironia nelle Heroides”, in Quaderni del Dipartimento di filologia, linguistica e tradizione classica 9, 207-223.
- (2000): “Un distico sospetto, Penelope e la "Dolonia". Nota a Ovido, Heroides, 1,39-40”, in Quaderni del Dipartimento di filologia, linguistica e tradizione classica 14, 139-153.
- (2003): “Saffo, la lirica, l’elegia: Su Ovidio, Heroides 15”, MD 51, 209–43.
Björk, Martina (2016): Ovid's Heroides and the Ethopoeia (Lund).
Bloch, D.J. (2000): “Ovid's heroides 6. Preliminary scenes from the life of an intertextual heroine”, in CQ 50, 197-209.
Bolton, M. Catherine (1997): “In Defence of Heroides 9”, in Mnemosyne 50, 424-435.
- (1997): “Elegy upside Down. The Inversion of Elegiac and Epic Elements in Heroides III”, in Carl Deroux (ed.): Studies in Latin Literature and Roman History VIII (Bruxelles), 218-230.
Bond, Gerald A. (1987): “Composing Yourself. Ovid’s Heroides, Baudri of Bourgueil and the Problem of the Persona”, Mediaevalia 13, 83–117.
Breva Iscla, Marién (2014): Ovidio y sus heroínas de la antigüedad al medievo castellano (Valencia).
Brownlee, Marinna Scordilis (1990): The Severed Word. Ovid's Heroides and the Novela Sentimental (Princeton).
Buonocore, Marco (1994): Nuove acquisizioni di manoscritti ovidiani: l'"Epistula 15" delle Heroides (Roma).
Casali, Sergio (1995): Strategies of tension (Ovid, Heroides 4), in PCPhS 41, 1-15.
- (1995): Tragic Irony in Ovid, Heroides 9 and 11, in CQ 45, 505-511.
- (1998): Ovidio e la preconoscenza della critica. Qualche generalizzazione a partire da Heroides 14, in Philologus 142, 94-113.
- (1998): Ovid's Canace and Euripides Aeolus. Two Notes on heroides 11, in Mnemosyne 51, 700-710.
Casanova-Robin, Hélène (ed.) (2007): Amor scribendi. Lectures des Héroides d' Ovide (Grenoble).
- (2009): “Canacé. une héroïne tragique? (Hér. XI)”, in Jouteur, Isabelle (ed.): La Théâtralité de l'Ouevre Ovidienne. Textes réunis et présentés (Nancy/Paris), 53-66.
Coleman, Kathleen M. (2010): “Cacemphaton in the Labyrinth. Ovid, Heroides 10. 71”, in Mnemosyne 63(2), 280-286.
Courrént, Mireille/Galinier, Martin (2014): “Patientes ou pas. Les épouses des héros voyageurs dans les Héroïdes, d' Ovide et dans l' iconographie romaine”, in Ghilaine, Jay-Robert (ed.): Héros voyageurs et constructions identitaires (Perpignan), 207-238.
Courtney, Edward (1965): “Ovidian and Non-Ovidian Heroides”, BICS 12, 63–66.
- (1998) “Echtheitskritik: Ovidian and Non-Ovidian Heroides Again”, CJ 93, 157-66.
Cunningham, M.P. (1949): The novelty of Ovid's Heroides, in CPh 44, 100-106.
Curley, Dan (2013): Tragedy in Ovid. Theater, metatheater, and the transformation of a genre (Cambridge).
Dangel, Jacqueline (2008): “Réécriture topique en réception polyphonique. Sappho lyrique revisitée par Ovide élégiaque (Héroïde XV)”, in Latomus 67(1), 114-129.
Davis, Peter J. (1996): Rewriting Euripides. Ovid, Heroides 4, in Scholia 4, 41-55.
Di Mascia, Elvira (2001): Il topo de bacio per interposta coppa in Ovidio, Her. 16.225-6, in RCCM 43, 255-166.
Dörrie, Heinrich (1967): “Die dichterische Absicht Ovids in den Epistulae Heroidum”, in Antike und Abendland 13, 41-55.
- (1968): Der heroische Brief. Bestandsaufnahme, Geschichte, Kritik einer humanistisch-barocken Literaturgattung (Berlin).
Drescher, Dan (2008): “Tristis eris, si solus eris. Ovids Phyllis: Zur Inszenierung von Einsamkeit bei Ovid (rem. 570 - 608; her. 2) sowie Vergil (ecl. 2) und Properz (I, 18)”, in Bormann, Diana/Wittchow, Frank (edd.): Emotionalität in der Antike. Zwischen Performativität und Diskursivität. Festschrift für Johannes Christes dargebracht von Freunden und Kollegen (Berlin), 77-108.
Drews, Friedemann (2012): “Der englische Phaon und Ovids Sappho (her. 15). Elijah Fentons Transformation eines Mythos”, in Philologus 156(1), 101-127.
Drinkwater, Megan O. (2003) Epic and Elegy in Ovid’s Heroides: Paris, Helen, and Homeric Intertext (Durham).
- (2007): “Which letter? Text and subtext in Ovid's Heroides”, in AJPh 128, 367-387.
- (2013): “An Amateur ′s Art: Paris and Helen in Ovid′s Heroides”, in Classical Philology 108, 111-125.
Egelhaaf-Gaiser, Ulrike (2011): “Troja im Weintropfen: Kriegserinnerung und alternative Erzählung in Ovids elegischen Kartenskizzen”, in Egelhaaf-Gaiser, Ulrike/Pausch, Dennis/Rühl, Meike (Berlin), 309-335.
Fabre-Serris, Jacqueline (2010): “Genre et genre littéraire. Mises en scène et jeux de masques dans l' Héroide 9 d' Ovide”, in Formisano, Marco/Fuhrer, Therese (edd.): Gender Studies in den Altertumswissenschaften. Gender-Inszenierungen in der antiken Literatur (Trier), 9-24.
Farrell, Joseph (1998): “Reading and Writing the Heroides”, in HSCP 98, 307-338.
Fischer, Uta (1968): Ignotum hoc aliis ille novavit opus. Beobachtungen zur Darstellungskunst Ovids in den Heroides unter besonderer Berücksichtigung der Briefpaare her. 16 und 17 (Paris und Helena) und her. 20 und 21 (Acontius und Cydippe) (Berlin).
Flanders, Bethany (2012): “omne patens. Reading Narrative Space in Ovid's Heroides”, in Gale, Monica R. (ed.): Places, spaces, and monuments in the poetry of the first century BC = Hermathena 193 (Dublin), 57-76.
Fulkerson, Laurel (2002): “(Un)Sympathetic Magic: A Study of Heroides 13”, in AJPh 123, 61-87.
- (2002): “Writing Yourself to Death, Strategies of (Mis-)Reading in Heroides 2”, in MD 48, 145-166.
- (2003): “Chain(ed) Mail: Hypermestra and the Dual Readership of Heroides 14”, in TAPhA 133, 123-146.
- (2005): The Ovidian Heroine as Author. Reading, Writing and Community in the Heroides (Oxford).
- (2009): “The Heroides: Female Elegy?”, in Knox, Peter E. (ed.): A Companion to Ovid (Oxford), 78-89.
- (2009): The Ovidian heroine as author. Reading, writing, and community in the "Heroides" (Cambridge).
Furley, William (1999): “Eingebettet im Nichts: zum Ariadne-Brief in Ovids Heroides“, in Schubert, Werner (ed.): Ovid. Werk und Wirkung. Festgabe für Michael von Albrecht zum 65. Geburtstag (Frankfurt et al.), 159-168.
Gagua, Lamse (1985): “Die Sage von Hero und Leander bei Ovid“, in Klio 67, 195-197.
Gärtner, Thomas (2006): “Properz IV 3 und die Gattungsgenese der ovidischen Heroidenbriefe“, in Hermes 134, 211-236.
Gavoille, Élisabeth (2010): “Douleur et inspiration dans les Héroïdes et les lettres d' exil d' Ovide”, in Laurence, Patrick/Guillaumont, François (edd.): Les écritures de la douleur dans l' épistolaire de l' Antiquité à nos jours (Tours), 209-229.
Giomini, Remo (1993): Ancora sulla struttura retorica delle Heroides ovidiane. L'epistola di Fedra a Ippolito, in Cultura e lingue classiche III (Roma), 347-358.
Glücklich, Hans-Joachim (1999): Ovids Briefwechsel zwischen Paris und Helena (Heroides 16 und 17), in Schubert, Werner (ed.): Ovid. Werk und Wirkung. Festgabe für Michael von Albrecht zum 65. Geburtstag (Frankfurt et al.), 169-196.
Goodsell, Judith (2013): “Generic Experimentation in Ovid’s Heroides”, in Borg, Michelle (ed.): Approaches to genre in the ancient world (Newcastle), 59-78.
Hansen, Gustaf Charles (1993): A stylistic analysis of Ovid's elegiac poetry with a view towards determining the authorship of Heroides 16-21 (Toronto).
Heinze, Theodor (1997): Der XII. Heroidenbrief. Medea an Jason. Mit einer Beilage: Die Fragmente der Tragödie "Medea". Einleitung, Text und Kommentar (Leiden).
Heldmann, K. (1994): Ovids Sabinus-Gedicht (am. 2,18) und die 'Epistulae Heroidum', in Hermes 122, 188-219.
Hewig, Ariane (1991): Ariadne's Fear from Sea and Sky (Ovid, Heroides 10.88 and 95-8), in CQ 41, 551-554.
Hexter, Ralph J. (1986): Ovid and Medieval Schooling. Studies in Medieval School Commentaries on Ovid’s Ars Amatoria, Epistulae ex Ponto, and Epistulae Heroidum (München).
Hinds, Stephen (1993): Medea in Ovid. Scenes from the Life of an Intertextual Heroine, in MD 30, 9-47.
Hintermeier, Cornelia M. (1993): Die Briefpaare in Ovids Heroides. Tradition und Innovation (Stuttgart).
Heyworth, S. J. (2016): “Authenticity and other textual problems in Heroides 16”, in Hunter, R. L. (ed.): Latin literature and its transmission. Papers in honour of Michael Reeve (Cambridge), 142-170.
Hollis, A. S. (1994): Rights of Way in Ovid (Heroides 20.146) and Plautus (Curculio 36), in CQ 44, 545-549.
Hross, H. (1958): Die Klage der verlassenen Heroinen in der lateinischen Dichtung (München).
Jacobson, Howard (1974): Ovid’s Heroides (Princeton).
Jäkel, Siegfried (1973): The 14th Heroid Letter of Ovid and the Danaid Trilogy of Aeschylus, in Mnemosyne 26, 239-242.
Jolivet, J.-Chr. (1992): Philologie et mythologie dans la XIII Héroide, in REL 138, 138-148.
Jouteur, Isabelle (2008): “La mort ovidienne de Didon (Héroïdes VII, 167 - 196)”, in Fonatnier, Jean-Michel (ed.): Amor Romanus. Amours romaines. Études et anthologie (Rennes), 101-118.
- (2009): “Une lettre dans les coulisses de la tragédie (Hér. XII)”, in Jouteur, Isabelle (ed.): La Théâtralité de l' Ouevre Ovidienne. Textes réunis et présentés (Nancy/Paris), 67-88.
Kennedy, D.F. (1984): The epistolary mode and the first of Ovid's Heroides, in CQ 34, 413-422.
Kenney, Edward J. (1967): Liebe als juristisches Problem. Über Ovids Heroides 20 und 21, in Philologus 111, 212-232.
- (1979): “Two Disputed Passages in the Heroides”, Classical Quarterly (CQ) 29: 394-431.
- (1995) “‘Dear Helen . . .’: The Pithanotate Prophasis?”, Papers of the Leeds Latin Seminar 8, 187-207.
- (1999): “Ut erat novator. Anomaly, Innovation and Genre in Ovid, Heroides 16-21”, in J. N. Adams and R. G. Mayer (edd.): Aspects of the Language of Latin Poetry, Proceedings of the British Academy 93 (Oxford), 401-14.
Knox, Peter E. (1986): “Ovid's Medea and the Authenticity of Heroides 12”, HSCP 90, 207-23.
- (1998): Ariadne on the Rocks. Influences on Ovid, Her. 10, in Knox, Peter E. (ed.): Style and Tradition. Studies in Honor of Wendell Clausen (Stuttgart/Leipzig), 72-83.
- (2002): “The Heroides: Elegiac Voices”, in Barbara W. Boyd (ed.): Brill's Companion to Ovid (Leiden), 117-39.
Kraus, Walter (1968): “Die Briefpaare in Ovids Heroiden“, in Michael von Albrecht/Ernst Zinn (edd.): Ovid (Darmstadt), 269-294.
Krifel, E. A. (1969): Untersuchungen zur Briefform der Heroides Ovids (Bern/Stuttgart).
Kroon, Caroline H.M. (2012): “Voce voco. Some Text Linguistic Observations on Ovid Heroides 10”, in Mnemosyne 65(2), 238-250.
Kuhlmann, Peter (2005): “Akontios und Kydippe bei Kallimachos (67 - 75 Pf.) und Ovid (epist. 20 - 21)”: Eine romantische Liebesgeschichte?, in Gymnasium 112, 19-44.
La Bua Giuseppe (2018): “Intratextual Readings in Ovid’s Heroides”, in Harrison, Stephen/Frangoulidis, Stavros/Papanghelis Theodore D. (edd.): Intratextuality and Latin literature (Berlin/Boston), 243-256.
La Penna, A. (1987): Le atre faci delle Erinni. Nopta a Ovidio, Her. 11,103 (105), in Maia 39, 97-99.
Lacki, Glenn C. (2010): “In the Darkness of Hell. Ovid Heroides 16. 211-212”, in CQ 60(2), 661-663.
Landolfi, Luciano (2000): Fondali del pathos elegiaco. Natura e lamento nelle Heroides, in RCCM 42, 191-214.
- (2000): Scribentis Imago. Eroine ovidiane e lamento epistolare (Bologna).
Leigh, M. (1997): Ovid, Heroides 6.1-2, in CQ 47, 605-608.
Lindheim, Sara H. (1995): Lindheim, Sara Helaine: Voices of desire. The ventriloquized letters of Ovid's Heroides (Providence).
- (2000): Omnia vincit amor. Or, Why Oenone Should have Known It Would Never Work out (Eclogue 10 and Heroides 5), in MD 44, 83-101.
- (2003): Mail and Female. Epistolary Narrative and Desire in Ovid’s Heroides (Madison).
Lingenberg, Wilfried (2003): Das erste Buch der Heroidenbriefe. Echtheitskritische Untersuchungen (Paderborn).
Liveley, Genevieve (2008): “Paraquel Lines. Time and Narrative in Ovid's Heroides”, in Liveley, Genevieve/Salzmann-Mitchell, Patricia (edd.): Latin Elegy and Narratology. Fragments of Story (Columbus), 86-102.
Michalopoulos, Andreas N. (2002): Ovid Heroides 10,1-4. Ariadne's Mitos, in Mnemosyne 55, 95-97.
- (2008): “Ars latet arte sua: Rhetoric and Poetry in Phyllis' Letter to Demophoon (Ovid Heroides 2)”, in Cairns, Francis (ed.): Papers of the Langford Latin Seminar. Thirteenth Volume (Cambridge), 187-210.
Miller, Paul Allen (2004): The Parodic Sublime: Ovid's Reception of Virgil in Heroides 7, in Glenn W. Most/Sarah Spence (edd.): Re-Presenting Virgil. Special Issue in Honor of Michael C. J. Putnam (Pisa/Roma), 57-72.
Minchin, Elizabeth (2017): “Mapping the Hellespont with Leander and Hero: ‘The Swimming Lover and the Nightly Bride’”, in Hawes, Greta (ed.): Myths on the map. The storied landscapes of ancient Greece (Oxford), 65-82.
Murgia, Charles A. (1985): Imitation and Authenticity in Ovid, Metamorphoses 1,477 and Heroides 15, in AJPh 106, 456-474.
Nesholm, E. (2005): Rhetoric and Epistolary Exchange in Ovid’s Heroides 16-21 (Washington).
Nicolas, Christian (2009): “La signature masquée du poète des Héroïdes”, in Biville, Frédérique/Vallat, Daniel (edd.): Onomastique et intertextualité dans la littérature latine. Actes de la journée d' étude à la Maison de l' Orient et de la Méditerranée - Jean Pouilloux le 14 mars 2005 (Lyon), 109-120.
Nisinson, Natahalie Sado (2013): “Thesea Devovi. Magic, Ritual and Heroes in Ovid´s Heroides”, in Garcia, J. Virgilio/Ruiz Angel (edd.): Poetic language and religion in Greece and Rome (Newcastle), 266-274.
Oppel, Eberhard (1968): Ovids Heroides. Studien zur inneren Form und zur Motivation (Erlangen).
Paratore, Ettore (1976): L'influenza delle Heroides sull'episodio di Biblide e Cauno nel L. IX delle "Metamorfosi" ovidiani. Studia Ronconi. 291-309. = in: ders.: Romanae Litterae (Roma), 491-513.
Patti, Marianna (2001): Enone, Paride, Elena. La "triplice verità" (a proposito di Ov. her. 5; 16; 17), in BollStudLat 31, 25-42.
Pearson, Catherine S. (1980): Simile and Imagery in Ovid Heroides 4 and 5, in ICS 5, 110-129.
Philippides, Katerina (1996): Canace Misunderstood. Ovid's Heroides XI, in Mnemosyne 49 426-439.
Pieper, Christoph (2012): “Voce voco. Ariadne in Ovids Heroides und die "weibliche" Stimme”, in Mnemosyne 65(2), 219-237.
Plantade, Emmanuel (2009): “Heu... Theseu ! Le nom propre et son double (Catulle 64, 50 - 250 et Ovide Her. 10)”, in Biville, Frédérique/Vallat, Daniel (edd.): Onomastique et intertextualité dans la littérature latine. Actes de la journée d' étude à la Maison de l' Orient et de la Méditerranée - Jean Pouilloux le 14 mars 2005 (Lyon), 95-108.
Pulbrook, M. (1977): “The original published form of Ovid's Heroides”, in Hermathena 122, 29-45.
Ramírez de Verger, Antonio (2006): “A note on Ovid, heroides 15,113”, Hermes 134, 123-124.
Ramírez de Verger, Antonio (2009): “La carta de Safo a Faón de Ovidio (her. XV)”, in Emérita 77(2), 187-222.
- (2009): “Ovid, Heroides 12, 201”, in Hermes 137, 501-504.
Ramsby, Teresa R. (2006): “The Use of Text in Paris' Seductions in Heroides 5 & 17”, in New England Classical Journal 33(4), 279-284.
Ratkowitsch Christine (1991): Die Keusche Helena. Ovids Heroides 16/17 in der mittelalterlichen Neudichtung des Baudri von Bourgueil, in WS 104, 209-236.
- (2012): Von der Manipulierbarkeit des Mythos. Der Paris/Helena-Mythos bei Ovid (her. 16/17) und Baudri von Bourgueil (carm. 7/8) (Brüssel).
Rimmel, Vicky (1999): “Epistolary Fiction. Authorial Identity in Heroides 15”, in PCPhS 45, 109-135.
Ritter, Carolin (ed.) (2010): Ovidius redivivus. Die Epistulae Heroides des Mark Alexander Boyd. Edition, Übersetzung und Kommentar der Briefe Atalanta Meleagro (1), Eurydice Orpheo (6), Philomela Tereo (9), Venus Adoni (15) (Hildesheim/Zürich/New York).
Rosati, Gianpiero (1989): Medea esule. Ovidio Her. 12,110, in RFIC 117, 181-185.
- (1991): “Protesilao, Paride, e l’amante elegiaco: un modello omerico in Ovidio”, Maia 43(2), 103-14.
- (1992): “L’elegia al femminile: le Heroides di Ovidio (e altre heroides)”, MD 29, 71-94.
- (1996): “Sabinus, the Heroides and the Poet-Nightingale: Some Observations on the Authenticity of the Epistula Sapphus”, Classical Quarterly 46, 207–16.
Rosenmeyer, Patricia A. (1996): “Love Letters in Callimachus, Ovid and Aristaenetus Or the Sad Fate of a Mailorder Bride”, in MD 36, 9-31.
- (1997): “Ovid’s Heroides and Tristia. Voices from Exile”, Ramus 26(1), 29-56.
Sabot, Augustin-F. (1981): Les "Heroides" d'Ovide. Preciosité, rhétorique et poésie, in ANRW II.31.4, 2552-2626.
- (1976): Ovide poète de l'amour dans ses oeuvres de jeunesse. Amores, Héroides, Ars Amatoria, Remedia Amoris, De Medicamine Faciei (Gap).
Sallmann, Klaus (1982-84): Penelope oder die Anamorphose der Heroides Ovids, in: AAntHung 30, 283-301.
Sargent, Jeannette L. (1996): The novelty of Ovid's Heroides. Libretti for pantomime (Bryn Mawr).
Schawaller, Doris (1987): “Semantische Wortspiele in Ovids Metamorphosen und Heroides“, in GB 14, 199-214.
Schmidt, Ernst August (1967): “Ariadne bei Catull und Ovid (Catull. 64,132-201, Ovid, Heroides X)“, in: Gymnasium 74, 489-501.
Schneider, Ulrike (2007): “Volkssprachliche Transformationen der Heroides in der italienischen Renaissance. Zu Formen und Funktionen des Ovid-Rekurses am Beispiel zweier Episteln von Nicolò da Correggio und Vittoria Colonna”, in Föcking, Marc/Müller, Gernot Michael (edd.): Abgrenzung und Synthese. Lateinische Dichtung und volkssprachliche Traditionen in Renaissance und Barock (Heidelberg), 89-108.
Seeck, Gusta Adolf (1975): Ich-Erzähler und Erzähler-Ich in Ovids Heroides. in Lefèvre, Eckard (ed.): Monumentum Chilionense. Festschrift für Erich Burck (Amsterdam), 436-470.
Smith, R. Alden (2006): “Fantasy, Myth, and Love Letters: Text and Tale in Ovid's Heroides”, in Knox, Peter E. (ed.): Oxford Readings in Ovid (Oxford), 217-237 = Arethusa 27 (1994), 247-273.
Spentzou, E. (2003): Readers and Writers in Ovid’s Heroides. Transgressions of Genre and Gender (Oxford).
- (1993): Ovids Ariadne-Brief und die römische Liebeselegie, in WJA 19, 239-260.
Steinmetz, Peter (1987): Die literarische Form der Epistulae Heroidum Ovids, in Gymnasium 94, 128-145.
Stroh, Wilfried (1991): Heroides Ovidianae cur epistulas scribant. in: Ovidio - poeta della memoria. Atti del Convegno Internazionale di studi Sulmona, 19-21 ottobre 1989 (Roma), 202-244.
- (2007): “Ovids Penelope. Zu seinem ersten Heroidenbrief”, in Hyperboreus 13, 191-208.
Tarrant, R.J. (1981): “The Authenticity of the Letter of Sappho to Phaon (Her. XV)”, in HSCPh 85, 133-153.
Thévenaz, Olivier (2009): “Auctoris nomina Sapphus: noms et création d' une persona littéraire dans l' Héroïde XV ovidienne”, in Biville, Frédérique/Vallat, Daniel (edd.): Onomastique et intertextualité dans la littérature latine. Actes de la journée d' étude à la Maison de l' Orient et de la Méditerranée - Jean Pouilloux le 14 mars 2005 (Lyon), 121-142.
- (2009): “Forme épistolaire et communication littéraire dans la lettre ovidienne de Sappho à Phaon”, in Toulze-Morisset, Françoise(ed.): Formes de l' Écriture, Figures de la Pensée dans la Culture Gréco-Romaine (Lille), 143-166.
Thompson, P. M. A. (1993): “Notes on Ovid, Heroides 20 and 21”, CQ 43, 258-65.
Thorsen, Thea S. (2007): Scribentis imagines in Ovidian authorship and scholarship. A study of the Epistula Sapphus (Heroides 15) (Bergen).
- (2014): Ovid's early poetry. From his single „Heroides“ to his „Remedia amoris“ (Cambridge).
- (2018): “Intrepid Intratextuality: The Epistolary Pair of Leander and Hero (Heroides 18-19) and the End of Ovid’s Poetic Career”, in in Harrison, Stephen/Frangoulidis, Stavros/Papanghelis Theodore D. (edd.): Intratextuality and Latin literature (Berlin/Boston), 257-272.
Torresin, Giuseppe (1998): “Ovids Phaedra in der mythologischen Tradition. Ep. Her. 4 – der Brief einer Persona Delirans”, in CM 49, 163-235.
Tracy, Valerie A. (1971): “The Authenticity of Heroides 16-21”, CJ 66(4), 328-330.
Vahlen, Johannes (1970): Über die Anfänge der Heroiden des Ovid. in: Gesammelte philologische Schriften II (Hildesheim/New York), 72-107.
Vaiopoulos, Vaios (2008): “L' ambiance élégiaque dans les Héroïdes 18 et 19 d' Ovide”, in Athenaeum 96(2), 635-650.
- (2009): “Hypermestra as seen by Ovid in Epist. 14”, in Eikasmos 20, 199-222.
Verducci, Florence (1985): Ovid’s Toyshop of the Heart: Epistulae Heroidum (Princeton).
Verger, A. R. (2009): “Ovid, Heroides 12, 201”, in Hermes 137, 501-504.
Viarre, Simone (1969): “Laodamie, héroine élégiaque”, in Bibauw, Jacqueline (ed.): Hommages á M. Renard (Bruxelles), 768-777.
- (1987): “Des poèmes d'Homére aux "Heroides" d'Ovide. Le recit épique et interprétation élégiaque”, in BAGB 1987, 2-11.
- (1988): Acontius et Cydippe ou la métamorphose d'un thème alexandrin dans les Héroides d'Ovide, in Latomus 47, 772-784.
Voit, Ludwig (1994): “Dido bei Ovid (epist. 7)“, in Gymnasium 101, 338-348.
Volk, Katharina (1996): “Hero und Leander in Ovids Doppelbriefen (epist. 18 und 19)”, in Gymnasium 103, 95-108.
- (2003): Timeo simulacra deorum (Ovid, Heroides 10.95), in Mnemosyne 56, 348-353.
Walde, Christine (2002): Literatur als Experiment? Zur Erzähltechnik in Ovids Heroides, in A&A 46, 124-138.
White, Paul (2009): Renaissance postscripts. Responding to Ovid's Heroides in sixteenth-century France (Columbus).
Zimmermann, Bernhard (2000): “Properz 4,3 und Ovids Heroides“, in Museum Helveticum 57, 130-135.

Didaktische Aufsätze

von Albrecht, Michael (1980): “Rezeptionsgeschichte im Unterricht. Ovids Briseis-Brief“, in AU 23(6), 37-53.
Bernsdorff, Hans (2017): “Helden und Antihelden“, in AU 60(3), 2-7.
Frisch, Magnus (2013): “Ariadne – eine Frau zwischen Heros und Gott“, in AU 56(4-5), 26-37.
Hachenburger, Petra (2017): “Mundus vult decipi, ergo decipiatur. Über die (Un-)Glaubwürdigkeit von Sprache und Bilder“, in AU 60(3), 45-51.
Meinhold, Wiebke (1995): “Penelope – bei Homer und Ovid (unter Bezugnahme auf Homer, Od. und Ovid, Her I.)“, in Mitteilungsblatt 43(3), 9-12.
Müller, Ricarda (2006): “Achills Opfer - der Brief der Briseis als Anti-Kriegs-Literatur“, in AU 49, 24-33.
Niemann, Karl-Heinz (2017), “Bella gerant alii, tu, felix Austria, nube!“, in AU 60(3), 52-53.
Schmitzer, Ulrich (2003): “Video meliora proboque, deteriora sequor. Ovid und seine Medea”, in Kussl, Rolf (ed.): Spurensuche (München), 21-48.
Toechterle, Karlheinz (1998): “Medea vor dem Drama. Ovid Heroides 12“, in Anregung 44, 160-168.
Wieber, Anja (2005): “Allein unter Helden? Helena in Buch und Film“, in AU 48(1), 28-32.
Zellner, Josef (2007): “Ovid, Heroides 7. Didos neues Selbstbewusstsein”, in AU 50(2), 14-19.